Revolution Squared, 2006
Photographic scrolls in the “24 Frames” project are my visual response to the impact of speed on sensory perception, recognition and memory. In some scrolls, the spatial constraint of a 24-frame roll of film dictates the construction of the image. In others, a 24-minute interval of time shapes the image. Liminal impressions mix with recognizable forms, the way they might appear to a passenger in a speeding vehicle, or transported in a dream or when carried by the tide of history and currents of powerful social movements.
